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When my publicist told me I was coming to talk to you, you were the last interview I did before the world caught on fire. We didn’t know it was going to be as bad as it was. How have you been since the last time we talked? Read below as we discuss his new record “Dreams,” why Trinidad was the perfect feature, his favorite looks and brands, shooting the cover art underwater, working out for his mental, owning his own masters, close friendship with Keyshia Cole, and more!
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Additionally, he starred in the BET series The Encore.įlaunt caught up with Elijah in downtown Los Angeles, who was in high spirits after wrapping a photoshoot. The project features appearances from Tamar Braxton, D Smoke, Keyshia Cole, and Rome Flynn, giving every listener something new and fresh they can relate to, vibe out to, and enjoy.īeyond his own music, Blake wrote the hook for “Skyscrapers” on the critically-acclaimed posthumous DMX album, Exodus. Now, the young superstar FINALLY unleashes his highly-anticipated new album titled The Neon Eon, spearheaded by lead single “Dreams” featuring Trinidad James which catapulted to #1 most added on R&B radio, and continues to climb the charts. Having written for everyone from Usher and Rick Ross to Rihanna and Keyshia Cole to more recently JoJo’s new album, Blake is excited as ever to be stepping into the limelight as his own artist. Hailing from the Dominican Republic but now based in Los Angeles, Elijah Blake hails an incredibly strong pen game, a killer falsetto, his own unique swag, and pure, undeniable passion. Insert Elijah Blake, one of the biggest secret weapons of the music industry.
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“Walking in the Wind” comes from a noble boy-band tradition: the ballad that bids farewell to the audience at the end of the gold rush, á la the Bay City Rollers’ “The Way I Feel Tonight,” the New Kids’ “If You Go Away” or the Backstreet Boys’ “Shape of My Heart.” There’s nothing coy about it, with lines like “Goodbyes are bittersweet” and “We had some times, didn’t we?” 1D reprise the sentiment in the finale, “A.M.,” which all four co-wrote, joining their voices: “Swimming around in our glasses/And talking out of our asses.” Talk about going out on top.Real always recognizes real, and talent always recognizes talent. And in case you thought they were flawless, there’s the folky “I Want to Write You a Song” – please, guys, no boat symbolism on the solo LPs, OK?
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(“Wolves” sounds exactly like solo Christine McVie, which is so clever it’s kinda scary.) “Temporary Fix” and “Love You, Goodbye” are guitar kicks in the “No Control” mode, while Harry’s “Olivia” is chamber-pop worthy of another Harry named Nilsson.
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The Brit-pop loop “Hey Angel” is a dead ringer for the Verve’s “Bittersweet Symphony,” and “What a Feeling” splices hooks from at least six different Fleetwood Mac hits. Lots of sensitive breakup songs here – hey, girl, before you go, let’s toast the minibars and expensive cars, the good champagne and private planes.īut it sure doesn’t sound like a band that’s hanging it up, because all four are on a roll musically, chasing the rock vibe of Midnight Memories and Four. The cover has Beatles-worthy coded body language: four boys on a cheap dorm couch, Liam Payne and Niall Horan smiling in opposite directions, Louis Tomlinson and Harry Styles staring defiantly into your eyes. is 1D’s Let It Be – the kind of record the world’s biggest pop group makes when it’s time to say thanks for the memories. Unlikely maturity mentor Big Sean adds some entertainingly cloddish flair: “I eat the Cookie like I’m Lucious!”
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It’s full of motivational Bieb-talk about the realness of the Bieb-struggle: Find your “Purpose” and realize “Life Is Worth Living,” because Bieber is for the “Children.” His midtempo R&B gets welcome boosts from Skrillex (the synth-elephant blurts in “Sorry” and “Where Are Ü Now”), Halsey, Ed Sheeran and Travis Scott. Purpose comes after Bieber’s take-me-back moment at the VMAs, weeping onstage. And if you’re a dude singer, you treat those girls right, because they can make you or break you at will. The records sound nothing alike, but they have the same moral: Teen girls are the only fans that matter. But 1D are racing for the exit – after announcing a split (hopefully temporary, because life is harsh enough), they’ve got a few parting gifts for their girl-almighty fan army. He spends Purpose learning lessons, begging for forgiveness and vowing to be a better Bieber. They bring opposite agendas to their new LPs: Bieber is the comeback kid, with “Sorry” as his theme song. Justin Bieber and One Direction have always been the yin and yang of the pop-idol game, but never more so than now.